‘Tudor Executions’ Interview with Helene Harrison


‘Tudor Executions: From Nobility to the Block’ by Helene Harrison was published by Pen and Sword on 9th July.

Helene is also the author of ‘Elizabethan Rebellions: Conspiracy, Intrigue and Treason’ and runs the Tudor Blogger website.


Buy ‘Tudor Executions’:

Pen & Sword




Follow Helene on Social Media:

Website – Tudor Blogger
Facebook – Tudor Blogger
Instagram – Tudor Blogger
Twitter/X – @tudorblogger
Threads – @tudorblogger
Blue Sky – @tudorblogger


Many thanks to Helene for answering my questions.


(c) Pen and Sword



Why did you choose this subject for your book?

I’d been researching Tudor executions for a while – I’d begun with Anne Boleyn, then Katherine Howard, then just became interested in them more generally. I find the psychology of people who are facing death in such a violent manner interesting, and the psychology of a person who can order the executions as fascinating. But what really pushed me to write the book is when I discovered that there were no dukes left in England by the end of the Tudor period. The last English duke was Thomas Howard, 4th Duke of Norfolk, who was executed in 1572. There wasn’t enough duke in England until 1623 when James I created his favourite George Villiers the Duke of Buckingham. I hadn’t realised this until I looked more deeply into the Tudor nobility and writing my first book on Elizabethan Rebellions which covered the execution of the Duke of Norfolk.


What does your book add to previous work covering this topic?

There are books on Tudor victims of the Reformation and the like, but I wasn’t able to find any books specifically covering Tudor executions, let alone exclusively the Tudor nobility. The nobility were hugely depleted during the Tudor period, with the rise of the ‘new men’ who were promoted because of their abilities rather than their nobility or connections. People like Thomas Wolsey and Thomas Cromwell reached the top of government despite having no noble connections, and this was unusual. So, I was interested in how the depletion of the Tudor nobility came about, and why.


How did you decide which executions to include?

It was difficult to narrow down the list of executions to cover in the book actually. I cover fourteen people across eleven chapters in the book – five women and nine men. Three chapters cover double executions hence the larger number of people than chapters. I also wanted each chapter to be able to be read as a standalone, as I outline in the preface, hence there is some repetition across chapters which was a very deliberate choice. I would have liked to have included the execution of Edmund de la Pole, 3rd Duke of Suffolk, in 1513, Thomas, 1st Baron Darcy, in 1537, and Thomas Percy, 7th Earl of Northumberland, in 1572, in particular. But also, to be able to go further into the executions of Henry Courtenay, 1st Marquess of Exeter, in 1538, and Henry Pole, 1st Baron Montagu, in 1539, who are both briefly covered in my chapter on Margaret Pole.


What surprised you most researching this book?

What surprised me about a lot of these executions was that there was actually very little evidence against them, or that the evidence is questionable. At least what we seem to have surviving today looks questionable. For example, a banner of the Five Wounds of Christ which was used as part of the evidence against Margaret Pole was found in a second search of her house, but not in a search six months earlier, which seems inexplicable. A lot of the dates given for when Anne Boleyn is supposed to have committed adultery can easily be proven to be wrong as she wasn’t where alleged. The Earl of Warwick seems to have been condemned alleged of plotting to escape the Tower with Perkin Warbeck but there are a lots of questions over whether that was made up. There are just quite a few instances where guilt is not cut and dried, and it just surprised me how many of those instances there actually were.


Do you think that Jane’s execution was a forerunner to that of Mary Queen of Scots? Even though Jane was never crowned or anointed Queen.

Jane Grey’s execution is the first of a queen regnant, even though she was only nominally queen for thirteen days (6th to 19th July). However, we know that a precedent had been set for executing English queens, with the executions of Anne Boleyn in 1536 and Katherine Howard in 1542. However, they were queens consort rather than queens regnant. There are similarities between the executions of Jane Grey and Mary Queen of Scots in that I think neither Mary I nor Elizabeth I wanted to go through with the executions and kept putting them off. They were polar opposites in terms of the religious divide with Jane determined to die a devout Protestant, and Mary as a martyred Catholic. But that also almost makes Jane’s a forerunner to Mary’s – both regnant queens booted from their thrones, pious, devout and ready to die for their beliefs, but Mary had been crowned and anointed where Jane was not. Mary was also a dowager queen of France as well as a former queen of Scotland. So, although Jane Grey’s execution can be seen as a forerunner to Mary’s, I think Mary’s broke new ground in terms of regicide and paved the way for the execution of her grandson, Charles I, sixty years later..




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Books 2024 – on sale today – The Tragic Life of Lady Jane Grey by Beverley Adams


(c) Pen and Sword


‘Lady Jane Grey, the nine-day queen is considered to be one of the most tragic characters in English history. In July 1553 when King Edward VI died at the age of just 15 years old, the Tudor dynasty fell into chaos. The king had no legitimate male heirs and was determined his half-sisters Mary and Elizabeth would not inherit his throne, despite his father Henry VIII stating in his will that they should. We are led to believe that on Edward’s instructions his cousin Lady Jane Grey was to be proclaimed queen. But who was she? Was she the innocent young girl that our history books tell us she was, or a religious fanatic with the aim of keeping Mary off the throne and England Protestant? Or was she nothing but a pawn to men in the game of power and politics, abused by her parents to marry against her will all for a crown she did not want? This book looks into her life from her early years in relative seclusion at the family home at Bradgate through to her tragic end on the scaffold at the Tower of London, executed on the orders of her cousin Queen Mary. What was her place within the Tudor royal family, was she ever entitled to claim the throne of England, and do we even recognise her as a true queen today.’

From – Amazon.co.uk

Further details – Amazon.co.uk



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‘Young Elizabeth: Princess. Prisoner. Queen’ by Nicola Tallis added to the web site…


(c) Michael O’Mara


‘Young Elizabeth: Princess. Prisoner. Queen’ by Nicola Tallis added to the Other Biographies section of the bibliography.


Entries added to the following:

Primary Accounts – Captivity.

Art – Paintings – Chawton and Jersey.

Writings of Lady Jane Grey – Letters – Letter to Mary



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Books 2024 – on sale today – Tudor Executions: From Nobility To The Block by Helene Harrison


(c) Pen and Sword


‘The Tudors as a dynasty executed many people, both high and low. But the nobility were the ones consistently involved in treason, either deliberately or unconsciously. Exploring the long sixteenth century under each of the Tudor monarchs gives a sense of how and why so many were executed for what was considered the worst possible crime and how the definition of treason changed over the period. This book examines how and why Tudor nobles like Edward Stafford, 3rd Duke of Buckingham; Queen Consort Anne Boleyn; Henry Howard, Earl of Surrey; and Robert Devereux, 2nd Earl of Essex, fell into the trap of treason and ended up on the block under the executioner’s axe. Treason and the Tudor nobility seem to go hand in hand as, by the end of the sixteenth century and the advent of the Stuart dynasty, no dukes remained in England. How did this happen and why?’

From – Amazon.co.uk

Further details – Amazon.co.uk



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Lady Katherine Grey – ‘Now You See Us’ Exhibition at Tate Britain


(c) Tate Britain


The V&A’s miniature of Lady Katherine Grey is part of the ‘Now You See Us’ exhibition’ at the Tate Britain. The exhibition runs until 13th October.


(c) V & A Museum, London


‘Spanning 400 years, this exhibition follows women on their journeys to becoming professional artists. From Tudor times to the First World War, artists such as Mary Beale, Angelica Kauffman, Elizabeth Butler and Laura Knight paved a new artistic path for generations of women. They challenged what it meant to be a working woman of the time by going against society’s expectations – having commercial careers as artists and taking part in public exhibitions.

Including over 150 works, the show dismantles stereotypes surrounding women artists in history, who were often thought of as amateurs. Determined to succeed and refusing to be boxed in, they daringly painted what were usually thought to be subjects for male artists: history pieces, battle scenes and the nude.

The exhibition sheds light on how these artists championed equal access to art training and academy membership, breaking boundaries and overcoming many obstacles to establish what it meant to be a woman in the art world.’

From Tate Britain: Now You See Us

For further details and tickets – Tate Britain – Now You See Us



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