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‘This book explores the collaborative practices \u2013 both literary and material \u2013 that women undertook in the production of early modern texts. It confronts two ongoing methodological dilemmas. How does conceiving women\u2019s texts as collaborations between authors, readers, annotators, editors, printers, and patrons uphold or disrupt current understandings of authorship? And how does reconceiving such texts as collaborative illuminate some of the unresolved discontinuities and competing agendas in early modern women\u2019s studies? From one perspective, viewing early modern women\u2019s writing as collaborative seems to threaten the hard-won legitimacy of the authors we have already recovered; from another, developing our understanding of literary agency beyond capital \u201cA\u201d authorship opens the field to the surprising range of roles that women played in the history of early modern books. Instead of trying to simply shift, disaggregate or adjudicate between competing claims for male or female priority in the production of early modern texts, Gender, Authorship, and Early Modern Women\u2019s Collaboration investigates the role that gender has played \u2013 and might continue to play \u2013 in understanding early modern collaboration and its consequences for women\u2019s literary history.’<\/p>\n
From Amazon.co.uk<\/a><\/I><\/p>\n Further details – Palgrave<\/a><\/p>\n Further details – Amazon.co.uk<\/a><\/p>\n 3rd December 2017 – Gender, Authorship, and Early Modern Women’s Collaboration (Early Modern Literature in History) edited by Patricia Pender ‘This book explores the collaborative practices \u2013 both literary and material \u2013 that women undertook in the production of early … Continue reading
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